LA Theatre Works’ production of SEVEN was in the middle of a 27-city tour of the U.S. when the pandemic closed down theatre venues across the country. But LATW thought it was important for people to have access to our play during the time of quarantine–and so they are making…
To start off the new decade, my collaborator, composer Guang Yang, and I were so very fortunate to have I N V I S I B L E, our short opera, included in the Eurydice Found Festival, presented by LA Opera, on January 16, 2020. The opera was one of…
Nothing thrills me more than to see my plays getting out into the world–on their own. When someone discovers one of these works thoroughly on their own and gets passionate about it and then takes it to production, that is a thrill. It is also truly rewarding to find out…
Meet the playwrights of the Climate Change Theatre Action “LA – At the Intersection,” which will be performed Saturday November 9 at 2 pm at the Natural History Museum of Los Angeles in partnership with Visions and Voices. The consequences of climate change in Los Angeles (and most urban areas)…
When Carol Mack called me and asked me if I wanted to join her and be a part of a documentary play project about women human rights workers who risked their lives to make better conditions for other women, I jumped at the chance. So did Ruth Margraff, Susan Yankowitz,…
So. The contracts are signed. And we can announce that we won the Music That Matters/Fight for the Right commission from Pittsburgh Festival Opera for our full-length opera, The Night Flight of Minerva’s Owl. Music by Guang Yang. Libretto by Paula Cizmar. The Owl takes wing soon.
It’s a thrill to be involved in an opera project and tremendously exciting to be able to show glimpses of the work as we go. (And it’s also tremendously helpful to hear the work as it’s being written, so that we can make sure that all of it flows organically.)…
A first look at a new musical, GOLDEN. Book & lyrics by Paula Cizmar. Music by Nathan Wang. Directed by Diana Wyenn. For a new musical, it’s only right that there should be a beautiful new performance space: The Glorya Kaufman International Dance Center, 849 W. 34th Street…
Coming December 1 in Los Angeles, a performance of Act One of GOLDEN, a new musical about a strange confluence of cultures–the Polish musician and statesman Ignacy Paderewski and the diverse people of the Central Coast growing fields of California. Music by Nathan Wang, book and lyrics by me…
You know it’s really happening when you show up at the theatre and there it is: The announcement of your play taking up the entire box office door!